Sound research

This link from YouTube is influential because although it only discusses certain tips, the speaker clearly portrays the suggestion that you should always do your own thing to make it unique. This is beneficial because it means that our non-diegetic music can have aspects of non-copyright with additions. This could also work well to build the tension as we could possibly blend different sounds to really effect the senses. At the moment we have not really discussed sound, but this would be the focus after filming.

From this YouTube link I have learnt new key words for example, Library effects, which are pre-recorded effects that is not linked to a particular vision or scene. Often these sound effects are difficult to obtain, dangerous to produce or expensive, like a gun shot or explosions. However, we will obviously not divide jobs between the Dialogue, Sound Effects and Music mixer because we are limited to the amount of people within our group and we are simply not specifically trained for each sound. Finally, it was interesting how in the days of Jack Foley all of the sounds had to be recorded in one single take and what the process was to successfully achieve this. I have learnt that we should always try and create and use the most realistic sounds.